"I can't tell you what it is to me to feel you on my side!" Owen exclaimed. He paused so long for a reply that Fleda said: "I don't think I know what you mean by a set-to."!

"About its being her that thinks she has gone too far." This was still slightly obscure, but now Fleda understood. "It mustn't seem to come from her at all, don't you know? That would only make Mummy worse." "Ah, when it isn't mere misery!" The words had broken from her in a sudden loud cry, and what next happened was that the very sound of her pain upset her. She heard her own true note; she turned short away from him; in a moment she had burst into sobs; in another his arms were round her; the next she had let herself go so far that even Mrs. Gereth might have seen it. He clasped her, and she gave herself—she poured out her tears on his breast; something prisoned and pent throbbed and gushed; something deep and sweet surged up—something that came from far within and far off, that had begun with the sight of him in his indifference and had never had rest since then. The surrender was short, but the relief was long: she felt his lips upon her face and his arms tighten with his full divination. What she did, what she had done, she scarcely knew: she only was aware, as she broke from him again, of what had taken place in his own quick breast. What had taken place was that, with the click of a spring, he saw. He had cleared the high wall at a bound; they were together without a veil. She had not a shred of a secret left; it was as if a whirlwind had come and gone, laying low the great false front that she had built up stone by stone. The strangest thing of all was the momentary sense of desolation.

It was easy indeed not to speak when the difficulty was to find words. He clasped his hands before her as he might have clasped them at an altar; his pressed palms shook together while he held his breath and while she stilled herself in the effort to come round again to the real and the right. He helped this effort, soothing her into a seat with a touch as light as if she had really been something sacred. She sank into a chair and he dropped before her on his knees; she fell back with closed eyes and he buried his face in her lap. There was no way to thank her but this act of prostration, which lasted, in silence, till she laid consenting hands on him, touched his head and stroked it, held it in her tenderness till he acknowledged his long density. He made the avowal seem only his—made her, when she rose again, raise him at last, softly, as if from the abasement of shame. If in each other's eyes now, however, they saw the truth, this truth, to Fleda, looked harder even than before—all the harder that when, at the very moment she recognized it, he murmured to her ecstatically, in fresh possession of her hands, which he drew up to his breast, holding them tight there with both his own: "I'm saved, I'm saved,—I am! I'm ready for anything. I have your word. Come!" he cried, as if from the sight of a response slower than he needed, and in the tone he so often had of a great boy at a great game. "Well, I shall, thank God! Till then"—and with this, for the first time, Mrs. Gereth put out her hand—"don't desert me." Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.